This week we’re doing something a little bit different. I’m going to run through a track that has had a number of placements but most recently was placed in entirety on the new Netflix series trailer, Hellbound.
This track is a great example of using many of the same methods a lot of composers use but because of the way it’s structured means that it becomes incredibly useful for editors in trailer structure.
If you have any questions, composers you’d like me to interview or would like to hear me cover something on the podcast please feel free to email me: info@protégé.school
If you would like to apply to be in the coming year of the Protégé Masterclass then you can follow this link to fill out your application: https://protege.school/lp/protege-master-class/